AGENT WISHLISTS

My list is mostly fiction; I am looking for reading group fiction, high concept novels, page-turners, and literary fiction. I am particularly looking to work with debut writers. For me, it’s not about genre, it’s about the story, I want to find a novel that I can’t stop reading, the kind of book you immediately want to tell people about. I’m looking for a story that will transport me, a story that makes an emotional connection. I suppose I’m looking for a word spell.

I am looking for character-driven novels – an unforgettable character with a distinctive voice. I loved Amor Towles’ Rules of Civility, A History of Love by Nicole Krauss, Olive Kitteridge by Elizabeth Strout, American Wife by Curtis Sittenfeld.

I am fascinated by novels about families and relationships. I adored Brit Bennett’s The Vanishing Half and Min Jin Lee’s Pachinko. I would love to find a novel that follows multiple generations or a family drama set in a multi-cultural place like Hong Kong or Lebanon. I am always drawn in by a compelling voice, like If I Had Your Face by Frances Cha.

I do love novels that weave in strands of history or have a ‘high-concept’ link, such as A History of Love by Nicole Krauss and All the Light We Cannot See by Anthony Doerr. I loved Maggie Shipstead’s Great Circle. Kate Atkinson’s Life After Life is a dream novel for me.

I read everything by Elizabeth Strout, Anne Tyler, Chimamanda Adichie, and Ann Patchett. I admire the precision in their language, the way they’re able to capture such depth in their characters. I loved Ask Again, Yes by Mary Beth Keane. Katherine Heiny is a favorite author of mine, I laugh out loud when I read her novels, I thought Early Morning Riser was perfect. My favorite re-read is Eligible by Curtis Sittenfeld, I love all of her books. I loved Sorrow and Bliss by Meg Mason, it was so disarmingly funny, and so powerful in its exploration of mental illness. Other authors I admire include David Nicholls, Taylor Jenkins Reid, Maggie O’Farrell, and Celeste Ng.

I love reading high-concept novels like Sea of Tranquility and Station Eleven by Emily St John Mandel, The Night Circus by Erin Morgenstern, and The Lovely Bones by Alice Sebold. There’s something about being transported by a story, and I love that feeling of disappearing into someone else’s world. The Time Traveler’s Wife by Audrey Niffenegger is another favourite – love stories are so powerful, and themes I enjoy are concepts of time and loss. Gabrielle Zevin’s Tomorrow, and Tomorrow, and Tomorrow shattered me. I admire Claire North and Susanna Clarke (Piranesi and Jonathan Strange and Mr Norell are two of my favorite novels), I adored Babel by RF Kuang.

I have always been a sci-fi and fantasy fan, but for my list, I’m looking for the ‘human element’, something that is character-led like Pierce Brown’s Red Rising series, Andy Weir’s Project Hail Mary or Naomi Novik’s Uprooted. Robin Hobb’s series is one of my favourites, it’s such a rich world, but with such incredible characterizations.

Some of my favourite novels are speculative fiction – Never Let Me Go by Kazuo Ishiguro and Oryx and Crake and The Blind Assassin by Margaret Atwood. I am fascinated by mythology and magical realism, and I loved Madeline Miller’s Circe and The Song of Achilles. Ruth Ozeki’s A Tale for Time Being is a book I’ll never forget.

I am looking to take on some Young Adult fiction, in the crossover space and mostly fantasy – like Leigh Bardugo and Sarah J Maas. I was a huge fan of Tamora Pierce and Robin McKinley growing up, those are books that I will always remember. I loved The Hunger Games, and I think it’s a wonderful example of rich worldbuilding that transcends genre and has a propulsive and escapist quality.

I am looking to take on a select number of narrative non-fiction titles – stories that have a universality. Joan Didion is one of my favourite writers. I admire Elizabeth Gilbert, Cheryl Strayed, Lisa Taddeo. When Breath Becomes Air by Paul Kalinithi stunned me. I recommend Bird by Bird by Anne Lamott to every writer, and I read everything Leslie Jamison writes.

I’m building a list of quality commercial and upmarket/book club fiction, with a select number of memoirs and non-fiction projects also in the mix.

Psychological suspense is my first love as both an agent and a reader, and I am desperate for a locked room mystery a la Lucy Foley or The Sanatorium by Sarah Pearse, with bonus points for glamorous or escapist settings. I also love a wicked protagonist you can’t help but root for, as in The Perfect Girlfriend by Karen Hamilton, White Ivy by Susie Yang, andYou by Caroline Kepnes. On the lighter side of crime, I adored The Maid by Nita Prose and would love to find something with a cosy element that offers a fresh take on the genre.

I’m keen to sign more literary suspense as well, and some recent favourites in this space include Girl A by Abigail Dean, Leave the World Behind by Rumaan Alam, Who is Maud Dixon? by Alexandra Andrews, Saint X by Alexis Schaitkin, and the forthcoming Deep Water by Emma Bamford.

I am also on the hunt for sweeping, weepy love stories – whether truly high concept like In Five Years by Rebecca Searle and The Time Traveller’s Wife, or somewhat more grounded like early Taylor Jenkins Reid. I would also love fresh takes on romance and romantic comedy in the same vein as the Crazy Rich Asians series and Emily Henry’s Beach Read, or a clever retelling of a classic story as in Curtis Sittenfeld’s Eligible.

Please also send me your lighthearted family novels – think Emma Straub, Katherine Heiny, or The Most Fun We Ever Had by Claire Lombardo.

I’m also keen for historical fiction that brings a previously unheard perspective to the table, especially that which focuses on character and relationships and wears its research lightly. I’m a forever fan of all that Paula McClain writes, and would love to see novels that shine a spotlight on women overshadowed by larger than life partners, like The Paris Wife, Love and Ruin, or Z: A Novel of Zelda Fitzgerald.

On the non-fiction side, my focus is on memoir that pulls back the curtain on a world previously unknown to me, or that sends me somewhere new on a journey alongside the author. If you’ve written a Kitchen Confidential for your industry/passion/hobby, I would love to read it. Some other favourites include Cork Dork by Bianca Bosker, Animal, Vegetable, Miracle by Barbara Kingsolver, and Mastering the Art of French Eating by Ann Mah.

As an American in London, I am always open to reading stories that take me ‘home.’ I’m partial to Southern settings, campus novels, and will drop everything to read a classic New York story. I’m still looking for the millennial answer to Jay McInerney.

*Please note that while I try not to be precious about genre, I am not the right agent for YA, children’s, or SFF submissions.

I read very broadly – across fiction, non-fiction, literary, and commercial – but above all I am always looking for books that completely immerse and sweep me away. My favourite books have a huge heart, effortless writing, and a carefully crafted plot.

I am keen to represent books across the spectrum of the literary to the commercial, but am forever drawn to sharply observed interpersonal dynamics, a strong hook (which might lie in the plot, but could just as easily be found in the voice—I’m a big Otessa Moshfegh fan!) and authentic representation of untold perspectives. Above all, I enjoy books that feel singular – like you are the only person who could’ve written it. I have a particular soft spot for LBGTQI+ narratives and stories which grapple with sticky questions of girlhood and growing up.

While I’m largely genre-agnostic, I’m especially excited to see:

1. The fantastical and horrifying: I was a teenager in the golden age of YA – the dystopian boom – so I was very much raised on a diet of accessible genre fiction (…and fanfiction!). My taste was definitely shaped by my childhood obsession with THE HUNGER GAMES and A SERIES OF UNFORTUNATE EVENTS, so as an adult, anything that marries unforgettable characters, hook, and setting is usually a winner for me. I want to find big novels with a genre edge – be it romance, magic, horror, or the speculative – and ambitious, hooky fantasy/romantasy with strong world-building and centrality of character, for both adult and young adult readers. I am especially interested in SFF, horror, and dystopian stories with a high-concept, one line pitch, but also veer more literary, in the vein of Julia Armfield or BEAUTYLAND – I would love to find a contemporary horror in that space. Like everyone, I’m a sucker for dark academia, so please send me your campus and secret society novels, and would love a horror or mystery steeped in gothic tones – I’d love anything that could be compared to JANE EYRE or WUTHERING HEIGHTS. 
2. Big-hearted love stories: I’m a big fan of books which centre relationships, whether romantic or otherwise. On the more commercial end, Ali Hazelwood and Casey McQuiston are particular favourites, and classic romance tropes are always a winner for me. I loved LAST NIGHT AT THE TELEGRAPH CLUB, and Emily M Danforth can do no wrong in my eyes. I would also love something that feels slightly more irreverent, exploring different types of love – along the lines of THE WEDDING PEOPLE or GRETA AND VALDIN. I’ve recently become obsessed with the TV show HACKS, so anything with a messy, funny, intergenerational dynamic would be very welcome in my inbox. Big bonus points if your book makes me laugh, cry, or compels me to rewatch You’ve Got Mail or Bridget Jones for the thousandth time. If your book has witty dialogue, a strong sense of place, and a healthy dose of yearning, I’m in. 
3. Sharp, hooky, thematically ‘meaty’ fiction: As much as I am drawn to escapism, I also love books which make us feel connected to the world, or which force us to think about our everyday in a drastically different way. I’m keen to find something in the book club space with a zeitgeisty, fresh angle, and sharp writing, like YESTERYEAR, BUTTER, or the fictional counterpart to I’M GLAD MY MOM DIED. I am also fervently on the hunt for an upmarket, character-focused historical novel which doesn’t just teach us something new, but shakes our understanding of the world, in the vein of Sarah Waters, Colson Whitehead, THE SAFEKEEP, or THE ARTIST. I’m a big history nerd and am always looking for stories which centre historically underrepresented voices. 

A (very broad!) selection of the authors past and present whose work I return to again and again include: Shirley Jackson, Emily M Danforth, Angela Carter, Gillian Flynn, Julia Armfield, Casey McQuiston, Donna Tartt, Abigail Dean, Rebecca K Reilly, Elif Batuman, the Brontës, Elena Ferrante, Rebeeca F Kuang, Lemony Snicket, Khaled Hosseini, Otessa Moshfegh, and Carmen Maria Machado.

I have always loved theatre, film, and tv, and find that my favourite books often chime with an element of the theatrical or cinematic, displaying an incisiveness of dialogue, setting, or character. I would love to find books which would seamlessly work for screen. If Greta Gerwig or A24 would adapt it, I want to read it. I was a big fan of Disney Channel Original Movies growing up, so if you’ve written a book that fans of Minutemen, Twitches, or Cow Belles (what an era!) would love as adults, please do send it my way.